Reflections, Part III
The third piano piece in Debussy's "Images" is called "Poissons d'or" and provides the listener with the impression of goldfish (like the koi above) darting through a pool (like this one in the Wilhelma Zoo here in Stuttgart). The reflection of the lines from the glass roof emphasize the message that these fish are indeed captive - yet have a captive audience!
In this atypical image of a Ford with automatic transmission parked in front of a corrugated aluminum house with iron bars on the windows, only the tiled roof seems to belong in Germany where the picture was taken.
Alanis Morissette might have sung, "Isn't it ironic that one-of-a-kind people are the ones you'd want to clone." Well my friend Jim is one of them. He and I went to a wonderful photo exhibit by Rupert Leser in the Haus der Geschichte in January and then went for a walk past the Staatsgalerie because it was such a nice day. The world famous architecture of that building (first brought to my attention by my step-brother Ken, both an architect and an outstanding artist) provides the reflection collector (my Sony Alpha 700 and Minolta 28mm lens in this case) with a series of growing - or, if you read right to left, declining - figures.
The florescent lights inside the museum provided the sun rays or crown (cloud?) of thorns (take your pick) in this pic.
This may be my choice of picture to hang over my sofa in a large format. I like the minimalistic, washed out, desert-like look to downtown Stuttgart in this picture. Now if I only had room on my walls!
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